Music Dissertations & Theses

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Music Dissertations & Theses

Click the tabs to display select lists of OSU School of Music dissertations and theses by category.

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New dissertations and theses are regularly added to the OSU Library Catalog which the select lists, updated less frequently, may not include. These links access the catalog:

D.M.A. Ohio State University School of Music 

Ph.D. Ohio State University School of Music

M.A. Ohio State University School of Music

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Doctoral Dissertations in Musicology. Musicology, music theory, ethno-musicology, and related musical, scientific, and humanistic disciplines — c.16,000 entries.

ProQuest Dissertations & Theses. Music and other subjects, c.1,700 universities and graduate schools worldwide — more than 4 million entries. OSU affiliation required for access.

British Library EThOS Service. Music and other subjects, UK universities — c.400,000 entries.

The offices for the two feasts of Saint Dominic / by Patrick Michael Taylor Bergin Jr. (2019)

Reel-to-real : intimate audio epistolarity during the Vietnam War  / by Matthew Alan Campbell (2019)

From world war to cold war : music in US-Korea relations, 1941-1960 / by Hye-jung Park (2019)

Diego Pisador's libro de musica (1552) : amateur music-making, printing, and handwritten corrections in sixteenth-century Spain / by Molly Cynthia Reinhoudt (2019)

Music and the Mennonite ethnic imagination / by Austin McCabe Juhnke (2018)

Bodies in play : representations of disability in 8- and 16-bit video game soundscapes / by Dana M. Plank (2018)

"Slightly overlooked professionally" :  popular music in postmillennial romantic comedies / by Elizabeth Kirkendoll (2018)

The role of melodic contour in linguistic processing / by Yun Wang (2017)

Blurred Lines: Musical Expertise in the History of American Copyright Litigation / by Katherine M. Leo (2016)

Mortal sounds and sacred strains : Ann Radcliffe's incorporation of music in the Mysteries of Udolpho / by Olivia M. Wikle (2016)

''Acting In'': A Tactical Performance Enables Survival and Religious Piety for Marginalized Christians in Odisha, India / by Douglas Richard Anthony (2015)

Resistance rooms sound and sociability in the East German church / by Alison M. Furlong (2015)

Constructing the Russian moral project through the classics : reflections of Pushkin's Eugene Onegin, 1833-2014 / by Emily Alane Erken (2015)

Questioning safeguarding : heritage and capabilities at the Jemaa el Fnaa / by Thomas Barone Beardslee (2014).

Temporal organization in the masses of Johannes Ockeghem / by Andrew J. Farina (2014)

Pietro Aaron on musica plana : a translation and commentary on Book I of the Libri tres de institutione harmonica (1516) / by Matthew Joseph Bester (2013)

Hearing their stories through polyphonic soundtracks : women and music in contemporary Chinese film / by Zhichun Lin (2013)

Engaging the heart : Orthodoxy and experimentalism in William Gadsby's A Selection of Hymns for Public Worship / by Deborah A. Ruhl (2013)

Chopin's Cantabile in context / by Stephanie Lynn Frakes (2013)

Hmong music and language cognition : an interdisciplinary investigation / by Nicholas Frederick Poss (2012)

The process that is the world : Cage/Deleuze/events/performances / by Joseph Edward Panzner (2012)

Musica caelestia : hermetic philosophy, astronomy, and music at the court of Rudolf II / by Nicholas Johnson (2012)

Diasporic p'ungmul in the United States : a journey between Korea and the United States / by Soo-Jin Kim (2011)

Circles and circuses : carnivalesque tropes in the late 1960s musical and cultural imagination / by Stefan Firca (2011)

One music? Two musics? How many musics? Cognitive ethnomusicological, behavioral, and fMRI study on vocal and instrumental rhythm processing / by Tsun-Hui Hung (2011)

Networks of music and history : Vilayat Khan and the emerging sitar / by Hans Fredrick Utter (2011)

Fashionable innovation : Debussysme in early twentieth-century France / by Jane E. Harrison (2011)

The Brooklyn Carnival : a site for diasporic consolidation / by Ken Joseph Archer (2009)

Sheng Guan in the past and present : tradition, adaptation and innovation in Wutai Shan's Buddhist music / by Beth Marie Szczepanski (2008)

Songs of the Ziegfeld follies / by Ann Ommen (2007)

Modernism, socialist realism, and identity in the early film music of Dmitry Shostakovich, 1929-1932 / by Joan Marie Titus (2006)

Music, drama and folklore in Nikolai Rimsky-Korsakov's opera "Snegurochka" ("Snowmaiden") / by Gregory A. Halbe (2004)

The clarinet in early America, 1758-1820 / by Jane Elizabeth Ellsworth (2004)

Prosody and rhythm in the post-Tridentine reform of plainchant / by Joshua Joel Veltman (2004)

The musico-dramatic evolution of Rodgers and Hammerstein's "South Pacific" / by James A. Lovensheimer (2003)

"Singing to another tune" : contrafacture and attribution in troubadour song / by Billee A. Bonse (2003)

Writing modernist and avant-garde music in Mexico : performativity, transculturation, and identity after the revolution, 1920-1930 / by Alejandro L. Madrid-González (2003)

Prokofiev's "Romeo and Juliet" : history of a compromise / by Deborah Annette Wilson (2003)

Devotional music and healing in Badakhshan, Tajikistan : preventive and curative practices / by Benjamin David Koen (2003)

Savva Mamontov and the Moscow Private Opera : from realism to modernism on the Russian operatic stage / by Olga Haldey (2002). 

Montage Shostakovich : film, popular culture, and the finale of the Piano Concerto No. 1 / by Joan Marie Titus (2002)

Defining African American gospel music by tracing its historical and musical development from 1900 to 2000 / by Raymond Wise (2002)

The late twentieth-century American Organ Chorale : a study of six composers / by Lisa Ann Browne (2001)

Operatic reform in Turin : aspects of production and stylistic change in the 1760s / by Margaret Ruth Butler (2000)

Playing panpipes in Southern Russia : history, ethnography, and performance practices / by Olga V. Velichkina (1998)

"Anything you are shows up in your music:" : Mary Lou Williams and the sanctification of jazz / by Tammy L. Kernodle (1997)

Percy Aldridge Grainger's "The Warriors" : an historical and analytical study / by David M. Mruzek (1996)

An historical and musical study of Aaron Copland's first orchestral work : "Grohg, a ballet in one act" / by Roberta Lewise Lindsey (1996)

The completed symphonic compositions of Alexander Zemlinsky / by Robert L. Taylor (1995)

Music in the Black and White communities in Petersburg, Virginia, 1865-1900 / by Ethel Maureen Norris (1994)

Using hypermedia to enrich the learning experience of college students in a music appreciation course / Henry Edgar Duitman (1993)

Reclaiming a music for England : nationalist concept and controversy in English musical thought and criticism, 1880-1920 / by William Scott Ball (1993)

"De preceptis artis musicae" of Guilielmus Monachus : a new edition, translation, and commentary / by Eulmee Park (1993)

The "si placet" voice : an historical and analytical study / by Stephen Daniel Self (1992)

Tuning, temperament and pedagogy for the vihuela in Juan Bermudo's Declaracion de instrumentos musicales (1555) / by Maria Therese Annoni (1989)

The Warsaw Autumn International Festival of Contemporary Music 1956-1961 : its goals, structures, programs, and people / by Cynthia E. Bylander (1989)

Music of the Shakers from Union Village, Ohio : a repertory study and tune index of the manuscripts originating in the 1840's / by Donald Edwin Christenson (1988)

The offertory trope : origins, transmission, and function / by John Gearey Johnstone (1984)

The Type II Visitatio Sepulchri : a repertorial study / by Michael Lee Norton (1983)

The solo cantatas of Emanuele d'Astorga / by Karen Shakley Ladd (1982)

The "Musica enchiriadis" and "Scholia enchiriadis" : a translation and commentary / by Richard L. Holladay (1977)

Theme and variation in twentieth-century organ literature: analyses of variations by Alain, Barber, Distler, Dupré, Duruflé, and Sowerby / by Larry Lynn Rhoades (1973)

The music of Johannes Tinctoris (ca. 1435-1511) : a comparative study of theory and practice / by William Eugene Melin (1973)

The theatre music of Daniel Purcell / by Robert Squire Barstow (1968)

The Huguenot psalter in the low countries : a study of its monophonic and polyphonic manifestations in the sixteenth century / by Howard Jay Slenk (1965)

Improvisation Methods: A Non-Idiomatic Improvisation Course for the Undergraduate Music Curriculum / by Colin Wood (2019)

An investigation into the musical and social benefits of high school marching band participation / by Joseph Daniel Carver (2019)

Enjoyment of music by non-participants in school music / by Aaron K. Yackley (2019)

"It's more than playing music" : perceptions of a concert band program from members of a predominantly Latino school community / by Crystal Lynn Gerrard (2019)

Lead by standards? a historical examination of the guiding principles in the national music standards / by Aaron W. Wilburn (2018)

Find what works best for you : learning to practice in a large ensemble / by Elizabeth Ann Petersen (2018)

An investigation of fourth and fifth year pre-service music teachers' preferences for, familiarity with, and willingness to teach six ethnic music styles in Taiwan / by Chia-Chieh Wu (2017)

University music unit-sponsored, non-music major orchestras in the United States / by Laura Kerr Hill (2017)

A survey of piano teachers whose students have ADHD : their training, experiences, and best practices / by William David Mullins (2017)

Rural school string/orchestra programs: profile and recommendations / by Blair Ashley Williams (2016)

What is at stake in jazz education? Creative black music and the twenty-first-century learning environment / by Norman Michael Goecke (2016)

Singing is elementary : teachers' use of singing in three Kodaly-based elementary general music classrooms / by Megan Maureen Sheridan (2015)

The effect of a tonic drone accompaniment on the pitch accuracy of scales played by beginner violin and viola students / by Charles Clair Laux, Jr. (2015)

Surviving set theory : a pedagogical game and cooperative learning approach to undergraduate post-tonal music theory / by Angela N. Ripley (2015)

Illuminated scores and the architectural design of musical form / by Orlay Alonso (2015)

Determining criteria for the evaluation of high school band directors : a survey of high school principals and band directors in the State of Ohio / by Marc Samir Parulekar (2014)

Career intentions and experiences of pre- and in-service female band teachers / by Sarah Hope Fischer (2013)

The learning communities of exemplary mid-career elementary general music teachers / by Christina Louise Pelletier (2013)

Does enrollment in Ohio's Urban Arts Magnet High Schools make a difference on OGT scores and the on-time graduation rate? : a descriptive study / by Milton Vaughn Ruffin (2013)

Factors influencing the programming practices of conductors of mid-level collegiate ensembles / by David McKinley Hedgecoth (2012)

The perceptions of cooperating teachers regarding the skills and knowledge of student teachers working in beginning and middle school instrumental music classrooms / by Christopher David Hoch (2012)

Music therapy profession : current status, priorities, and possible future directions / by Alejandra Judith Ferre (2012)

Music description and expressive performance by middle school instrumentalists / by Elizabeth Longo Braun (2012)

A Manual for the Learning of Traditional Scottish Fiddling: Design, Development, and Effectiveness / by Melinda Heather Crawford Perttu (2011)

The effects of aural and visual strategies on the memorization of beginning-level string students / by Jacob Michael Dakon (2011)

An analysis of select beginning band method books and the level to which they address the national standards for music education / by Kie Watkins (2011)

Music composition pedagogy : a history, philosophy and guide / by Benjamin John Williams (2010)

Factors influencing the teaching of instrumental music in rural Ohio school districts / by Ann Marie Hicks (2010)

How They Decide: A case study examining the decision-making process for keeping or cutting music education in a K-12 public school district / by Marci L. Major (2010)

The dialectic of modernization : implications for music teacher education / by Malinda Wiard Essex (2010)

Dale Clevenger : performer and teacher / by Margaret Tung (2009)

A music industry program for today's colleges and universities / by David Lancaster Tolley (2008)

Process and product : the sight-singing backgrounds and behaviors of first-year undergraduate students / by Victoria J. Furby (2008)

No child left behind : determining the impact of policy on music education / by Kevin W. Gerrity (2007)

The pedagogical benefits of duet playing : a Vannetelbosch companion / by Pierson Wetzel (2007)

A study of the instrumental music programs in the secondary Catholic schools of the United States / by Caron L. Collins (2007)

The effects of specific transfer activities on fifth grade orchestra and band students' rhythmic performance / by Andrea Olijnek Scheuzger (2006)

Relationships among folk song preferences of grade five students / by Ibrahim H. Baltagi (2006). For the audio files associated with this dissertation, click here.

Keyboard improvisation characteristics of freshman and sophomore instrumental and vocal music majors / by Susan Lorrainne Chess (2005)

​Teaching improvisation to piano students of elementary to intermediate levels / by Yawen Eunice Chyu (2004)

Student career perception : 6th-11th grade music students' assessment of self-efficacy, social perception, and potential enjoyment for music education and other possible careers / by Kimberly H. Councill (2004)

​An investigation of the foundational components and skills necessary for a successful first-year string class: a modified delphi technique study / by Erika A. Schulte (2004)

The application of different teaching strategies reflective of individual students' learning modalities in the university flute studio class / by Nicole L. Molumby  (2004)

The professional life and pedagogy of Clement Barone / by Emily J. Butterfield (2003)

Teaching and learning jazz trombone / by Julia M. Gendrich (2003)

Reflection on practice : a study of five choral educators' reflective journeys / by Marla A. Butke (2003)

Beyond content integration : multicultural dimensions in the application of music teaching and learning / by Carlos R. Abril (2003)

Music and quality of life : the status of music in Ohio nursing homes / by Judith Waple Murphy (2003)

Parent as home teacher of Suzuki cello, violin, and piano students : observation and analysis of Suzuki method practice sessions / by Alice Ann M. O'Neill, (2003)

Violin performance training at collegiate schools of music and its relevance to the performing professions : a critique and recommendation / by David Roy Reimer, (2003)

Group piano instruction for music majors in the United States : a study of instructor training, instructional practice, and values relating to functional keyboard skills / by Huei Li Chin (2002)

Mentoring practices for music teachers in school districts of the northwest states / by Kristin M. Turner (2002).

Referentialism and musical characteristics in children's keyboard improvisation / by Chao-hui Wang (2001).

An investigation of the process by which elementary and junior high school teachers prepare students to choose a musical instrument / by Jonathan Gardner Bayley (2000)

Marcel Tabuteau : pedagogical concepts and practices for teaching musical expressiveness : an oral history / by Melissa A. Stevens (1999)

Janice Harsanyi : profile of an artist/teacher / by Eric Hoy Tucker (1998)

A comparison of self-efficacy and teaching effectiveness in preservice string teachers / by Gail L. VanAernum Barnes (1998)

The quality of repertoire chosen by high school wind band conductors and the resources and criteria used to choose this literature / by Craig S. Young (1998)

Music education as intervention for at-risk urban adolescents : self-perceptions, opinions, and attitudes about inclusion in selected music settings / by Christina Goss-Shields (1997)

A teaching technique to aid the development of vocal accuracy in elementary school students / by Sandra L. Mathias (1997).

The effect of movement instruction on sixth-grade beginning instrumental music students' perception, synchronization, and performance with a steady beat / by Debbie Ann Rohwer (1997).

Music teachers' attitudes, classroom environments, and music activities in multicultural music education / by Sharon M. Young (1996).

Student attitude toward instrumental music education during the first year of instruction / by Mary Janet Brown (1996)

A survey of Suzuki violin programs in community music schools in the United States / by Suzanne Leslie Blaker (1995)

Opinions, attitudes, music skills, and acquired knowledge of older adults using an adapted version of a technology-assisted music education curriculum / by Kathryn Jo-Anne Keenan (1995)

The piano teaching of Earl Wild : an introduction to his method and style / by Debora Arder (1995)

A study of the aural-diagnostic and prescriptive skills of preservice and expert instrumental music teachers / by Paul Frederic Doerksen (1994).

Establishing and utilizing criteria for selecting and composing appropriate choral literature for middle school mixed ensembles / by Lon S. Beery (1994)

​Preferred general music classroom activities among low-income, urban-minority middle school students / by Yvonne P. Johnson (1994)

​Audition procedures and advice from concertmasters of American orchestras / by Joan Griffing (1994)

Teaching young children compositional concepts to enhance music learning in a computer learning environment / by Derjen Jeney Sun (1993)

An investigation of the relationship between selected personality variables and retention of students in the string orchestra program / by Ward Franklin Mowery (1993).

A descriptive study of the post-secondary musical/cultural behaviors and attitudes of participants and non-participants of instrumental music ensembles from two secondary schools in eastern Massachusetts / by Donald Martin Dregalla (1993)

The status of snare drum instruction in percussion methods programs of selected universities and colleges in Ohio and contiguous states / by Cary Dachtyl (1992)

An investigation of the effects of visual diagnostic skills development on the instruction and acquisition of basic conducting skills for beginning conductors / by David Edmund Scott (1992)

The development of pedagogical-content knowledge : two case studies of exemplary general music teachers / by Edward Burger Duling (1992)

The effectiveness of mnemonics to assist middle school general music students' recognition and retention of musical themes / by Lynda Marie Dunn (1992).

An overview of issues in music student teaching, related research, and a sample study of the effects of classroom characteristics on evaluation of student teaching / by Mark W. Gallant (1992)

Characteristics of in-service urban music teachers and pre-service music teachers in Ohio and their attitudes toward teaching music in urban schools / by Stephen Wade Ausmann (1991).

Selected aspects of curricular pacing in introductory nonmajor music classes / by Kim Franklin Shirey (1990)

The effect of differential choral group instruction on children's vocal and rhythmic performance of taught and transfer patterns / by Amy D. Chivington (1990)

Justifying music in the American public school : a survey of selected Ohio school personnel / by Barbara S. Payne (1990)

An examination of the uses of music in selected licensed preschools in the state of Ohio / by Kimberly Moody Golden (1989)

An investigation of the effects of a researcher-designed string music curriculum on the playing skills of mildly mentally handicapped middle school students grouped in homogeneous and heterogeneous classes / by Diana Jean Van Camp (1989).

The acquisition of basic conducting skills by beginning conductors : a comparison of the effects of guided and unguided videotaped modeling / by David Alan Leppla (1989)

The effects of task order and function pattern on learning harmonic dictation / by Barbara Ann Murphy (1989)

​The effect of speech rhythm, melody, and movement on song identification and performance of preschool children / by Deborah Dunne-Sousa (1988)

Teaching piano skills to handicapped persons through use of systematic instruction : a proposal / by Elva Tice Michal (1987)

Perceived music and music-teaching competencies of classroom teachers in the state of Ohio / by Jerry Lee Goodman (1985)

The differential effects of modeling and discrimination training on selected music teaching skills, confidence level, and achievement among elementary education majors / by Sister Margaret Mary Kelly (1984)

The development and evaluation of a test to assess selected characteristics of prospective music educators / by Christopher Philip Doane (1981)

An investigation of music in the education of mentally and physically handicapped children in the United Kingdom, with particular reference to the course, "Music for Slow Learners," at Dartington College of Arts / by Joan Kimnach Lehr (1977)

​A study of the effectiveness of competition festivals in the music education process / by Charles Paul Temple (1973)

A study of practices in student teaching in selected universities with recommendations for the improvement of the full-time student teaching program in music at the Ohio State University / by Stephen Milburn Clarke (1973)

​A survey of the opinions of administrators and music teachers in regard to large group music competition / by James Richard Hanshumaker (1956)

​The Function of expressive bodily movement in the teaching of instrumental music / by Marvin Willis Fogt (1952)

A study on audio-visual interaction : how visual temporal cues influence grouping of auditory events / by Yu Fan (2019)

Worlds of musics : cognitive ethnomusicological inquiries on experience of time and space in human music-making / by Yong Jeon Cheong (2019)

Subtle semblances of sorrow : exploring music, emotional theory, and methodology / by Lindsay Alison Warrenburg (2019)

On popular music and media : analyzing changes in compositional practices and music listening choice behavior using attention economy principles / by Hubert Léveillé Gauvin (2018)

Cognitive and theoretical analyses of expressive performance choices / by Caitlyn Trevor (2018)

Cultural influence on the perception and cognition of musical pulse and meter / by Hsiang-Ning Kung (2017)

When the leading tone doesn't lead: musical qualia in context / by Claire Arthur (2016)

MCflow : a digital corpus of rap flow / by Nathaniel Condit-Schultz (2016)

Examining contrasting expressive content within first and second musical themes / by Lindsay Alison Warrenburg (2016)

Two studies on assessing emotional responses to music and mode : the effect of lowered pitch on sadness judgments, and the affective priming paradigm as an implicit measure / by Gary King-Yee Yim (2014)

Animacy, anthropomimesis, and musical line / by George John (Yuri) Broze III (2013)

Hmong music and language cognition : an interdisciplinary investigation / by Nicholas Frederick Poss (2012)

Affective analysis of music using the progressive exposure method : the influence of bottom-up features on perceived musical affect / by Joshua David Albrecht (2012)

An empirical investigation of a sarcastic tone of voice in instrumental music / by Joseph Stephen Plazak (2011)

Selected topics in the perception and interpretation of musical tempo / by Randolph Burge Johnson (2010)

A criterion-related validity test of selected indicators of musical sophistication using expert ratings / by Joy E. Ollen (2006)

Dynamic melodic expectancy / by Bret J. Aarden (2003)

The effect of school performing ensemble participation on the ability to perform and perceive expression in music / by Daryl Wayne Kinney (2001)

Grouping strategy in rhythmic perception : a test of the perceptual salience of Lerdahl & Jackendoff's grouping preference rules / by Thomas Kennedy Ryan (2001). 

The effects of variations of duration on musicians' perceptions of tonic in tonally ambiguous three-note sets / by C. Rockelle Strader (1996). 

The effect of timbral variance on the score-reading ability of novice conductors / by Timothy Edward Swinehart (1994)

An exploratory examination of the electroencephalographic correlates of aural imagery, kinesthetic imagery, music listening, and motor movement by novice and expert conductors / by Elizabeth Helene Jackson (1994)

Developing the ability to recognize microtones / by Charles Norman Bates (1992). 

Listener's choice of timing or intensity information as prominent in piano performance style recognition / by Allan James Dudek (1992). 

Recognition of chord changes by 4- and 5-year-old American and Argentine children / by Eugenia Costa-Giomi (1991).

The effects of timbre on aural skills : an exploration of the attributes of timbre and spectral parsing for sounds used in aural training / by Mark Lewis Lochstampfor (1990).

An experimental investigation of the effectiveness of training on absolute pitch in adult musicians / by Mark Alan Rush (1989)

An experimental study of relationships among music listening abilities in formally and informally trained musicians / by Henry Panion (1989).

Improving instrumental practice techniques through use of a motor schema theory of learning / by John Edward Owen (1988).

Humor in instrumental music : a discussion of musical affect, psychological concepts of humor and identification of musical humor / by Linda R. Lowry (1974)

The effect of key upon emotional response to music / by Janet Souders Crist (1947)

Study in Rain and Light : an approach for audiovisual composition / by James MacDonald (2019)

A new music composition technique using natural science data / by Joungmin Lee (2019)

Exploring Ways to Teach Creativity in Composition / by Binshan Zhao (2019)

The composer-conductor : an examination of the relationship and connection between two disciplines / by Zachary Jacob Friedland (2018)

My music and Helmut Lachenmann's concept of sound / by Chih-Liang Lin (2015)

Cross-disciplinary integration of musical works and visual arts through computer technology / by Keith Randolph Newton (2013)

The black composer : identity, invisibility, relevance and the making of a brand in the digital age / by Mark Allison Lomax II (2013)

A study of the original composition "Land of our birth" : composition for male chorus, brass, percussion, woodwinds and piano / by Michael George Martin (2013)

A theory of orthography and the fundamental bass for the late oeuvre of Scriabin / by David Nelson Tomasacci (2013)

Jan Radzynski's Canto (1981) : an introductory view of its genre, style, and form, with suggestions for performance / by Jiung Yoon (2012)

Polytonal non-octave complexes / by Luis Javier Obregón (2012)

The development of contemporary Korean music with emphasis on works of Isang Yun / by Joo Won Kim (2011)

60x365 : compositions for the Internet / by David Morneau (2011)

Fashionable innovation : Debussysme in early twentieth-century France / by Jane E. Harrison (2011)

Structural analysis through ordered harmony transformations in the early works of Arnold Schoenberg / by Blake Ross Henson (2010)

Analysis and performance aspects of Donald Harris' sonata for piano / by Seon Ok Kim (2010)

Music composition pedagogy : a history, philosophy and guide / by Benjamin John Williams (2010)

The study of the relationship between Arnold Schoenberg and Wassily Kandinsky during Schoenberg's expressionist period / by Sohee Kim (2010)

The piano and wind quintets of Mozart and Beethoven : reception and relationship / by Roberta Zajkowski (2010)

Observations and trends found in Stravinsky's use of the clarinet during the years 1914-1919 / by Jennifer Joy Laubenthal (2009)

The nine-step scale of Alexander Tcherepnin : its conception, its properties, and its use / by Kimberly Anne Veenstra (2009)

Alan Louis Smith's Vignettes: Ellis Island : the history, evolution and performance of a modern American song cycle / by Tamara Brooke Regensburger (2009)

El Salón México by Aaron Copland : a study and comparison of the orchestral score and two transcriptions for band / by Erika Kirsten Svanoe (2009)

A comparative study of selected violin works of Isang Yun : Gasa für Violine und Klavier (1963) and Sonate für Violine und Klavier / by Kyung Ha Lee (2009)

A study of the use of tuba in Ralph Vaughan Williams' nine symphonies / by John R. Bottomley (2009)

Influence of commedia dell'arte on Stravinsky's Suite Italienne / by Sachiho Cynthia Murasugi (2009)

Understanding Rzewski's North American ballads : from the composer to the work / by Sujin Kim (2009)

An historical perspective on Pere Valls : with a stylistic and structural analysis of Suite Andaluza / by Joseph M. Schauer (2008)

Harmonic syntax in Delius's late period chamber music (1905-1930) / by HyounKyoung Yie (2008)

Conflict and meaning in Carl Nielsen's Concerto for clarinet and orchestra, Op. 57 (1928) / by Douglas Monroe (2008)

Analysis and performance aspects of György Ligeti's Études pour piano : Fanfares and Arc-en-ciel / by Yung-jen Chen (2007)

An innovative approach to serialism : George Rochberg's Twelve bagatelles for piano and Symphony no. 2 / by Yoojin Kim (2007)

The Symphony for band of Donald E. McGinnis : a guide for conductors / by Matthew Charles Saunders (2007)

Discrepancies in the score of Symphony for Band of Donald E. McGinnis are noted here: https://etd.ohiolink.edu/pg_10?6287053351965::NO:10:P10_ETD_SUBID:65611

Four motets from the Florilegium portense / by Mark A. Chaney (2007)

Random precision : some applications of fractals and cellular automata in music composition / by Igor Karaca (2005)

An examination of notation in selected repertoire for multiple percussion / by Alyssa Gretchen Smith (2005)

Selective American perspectives on issues of Twenty-first-century musical progress / by Yuri Bortz (2005)

The trumpet as a voice of Americana in the Americanist music of Gershwin, Copland, and Bernstein / by Amanda Kriska Bekeny (2005)

Rules for setting of French text in the writings of Alexandre Etienne Choron (1771-1834) and his contemporaries / by Geraldine Metcalf Rosser (2003)

Playing with circles : a musico-poetic study of György Kurtág's "Scenes from a novel," op. 19 (1979-1982) / by Diana Lentsner (2002)

The influence of Chopin in Piano music on the twenty-four preludes for Piano, Opus 11 of Alexander Scriabin / by Seong-Ae Lim (2002)

Prokofiev piano sonatas no. 2, no. 5, and no. 8 : comparison and performance strategies / by Yun-Young Hwang (2002)

Compositional issues with Corigliano, Oliveros, and Kernis / by Keith Gregory Dippre (2001)

A study of the wind-band music of Frank Ticheli with an analysis of Fortress, Postcard, and Vesuvius / by John A. Darling (2001)

Symbolic structure in the music of Gubaidulina / by Fay Damaris Neary (1999)

Fusion of musical styles and cultures in Bright Sheng's opera "The Song of Majnun" / by Chiung-Tan Hsu (1999)

Olly Wilson, Anthony Davis, and George Lewis : the lives, works, and perspectives of three contemporary African American composers / by Robert Thomas Tanner (1999)

Felix Mendelssohn-Bartholdy's music for men's voices including a detailed analysis of Festgesang: An die Künstler, opus 68 and Zwei Geistliche Mannerchöre, opus 115 with suggestions for rehearsal and performance / by Joseph H. Janisch (1998)

Aspects of historical background, literary influence, form, and performance interpretation in Robert Schumann's Carnaval / by Chllung-Wel Chou (1998)

Seo-kwang (a ray of hope) : inspiration in Korean crisis and the influence of Korean traditional music / by Bong-Ho Kim (1998)

Symbolism and textual painting in four vocal works by George Crumb / by Douglas Bell Reeder (1997)

Pictorial and poetic influences in Benjamin Britten's Seven Sonnets of Michelangelo : a magical journey through associations / by Douglas W. Bolin (1996)

Aspects of neo-classicism in the first movements of piano sonatas by Barber, Sessions, Copland, and Stravinsky / by Gui Sook Lee (1996)

The Debussy edition of The four ballades of Chopin / by Wei Wu (1995)

A commentary on African-American musical style with an analysis of the influences of African-American musical style on the composition "Simple City" / by Charles Gregory Washington (1994)

A comparative study of reductionist tendencies in the arts / by Neil P. Cassidy (1994)

Keening as a cross-cultural phenomenon / by Todd Dunham Harvey (1993) 

L'Histoire du soldat and Les noces : a historical, theoretical, and theatrical comparison study of two chamber music compositions by Igor Stravinsky / by Janis LaFaye McKay (1993)

Oley Speaks and the Oley Speaks music library archive : a legacy of the twentieth century American art song / by Stephanie Kay Tingler (1993)

Mussorgsky's Pictures at an exhibition : an analytical and performance study / by Chen-Tien Lee (1993)

The songs of Franz Liszt / by Michael David Baron (1993)

A critical evaluation of the current performance versions of Musorgsky's "Night on Bald Mountain," based on the history and content of Musorgsky's original extant versions and a new orchestration of "Night on Bald Mountain," respectfully based upon Musorgsky's original extant versions / by Daniel W. Lochrie (1992)

A method for generating pitch and rhythm for use in composition based on analytical techniques of Jonathan Bernard / by Christopher Sayles Kenney (1992)

Kennst du das Land : performance guide to six musical settings of Goethe's poem / by Seonmi Koh (1991)

The piano in Alban Berg's opera, Lulu / by Mary Jane Fahrenbruck (1990)

Song composers and their poetry choices : an analysis of the literary background and textual selections of twelve composers / by Thomas Andrew Gregg (1989)

Liszt's Mazeppa : the history and development of a symphonic poem / by John Douglas Fry (1988)

Using a digital soundfile mixing program as a compositional tool : Extensions for concert band and tape / by Neal Wesley Yocom (1988). Authorization/login required.

Requiem mass for chorus and orchestra ; with a monograph on the history, regulation, and content of the Missa pro defunctis / by Marshall Paul Onofrio (1987). Authorization/login required.

The future of the symphony orchestra based upon its historical development / by Steven Lee Winteregg (1987)

Chiang Wen-Yeh : the style of his selected piano works and a study of music modernization in Japan and China / by Tzong-Kai Kuo (1987). Authorization/login required.

The synthesis and manipulation of fused ensemble timbres and sound masses by means of digital signal processing / by Richard Jordan Smoot (1986). Authorization/login required.

Part I: Evocation as a compositional device : Part II: Concerto for chamber orchestra / by Rocky J. Reuter (1986)

Some observations on the sociological role of the composer in the twentieth century / by E. Michael Harrington (1985). Authorization/login required.

Part I: Representationalism in selected twentieth century compositions about the sea. Part II: sententia, sea music for soprano, woodwinds, brass, and percussion / by Susan Elaine Jenkins (1984)

The piano between 1800 and 1850 : the instruments for which the composers wrote / by John Wesley Golightly (1980)

 

Symphony No.10 by David Maslanka with Matthew Maslanka commissioning, completion, performance and analysis / by Onsby Cray Rose (2019)

The Controlled Indeterminacy in Lutoslawski's Cello Concerto / by Shuo Shen (2019)

Classification and pattern extraction: application of wavelets in music analysis / by Jennifer Christine Shafer (2016)

Contour levels : an abstraction of pitch space based on African tone systems / by Aaron Carter-Ényì (2016)

Bagatelles No. 6 and No. 8, Op. 59 by Nikolai Kapustin : background, analysis, and performance guideline / by Sekyeong Seong (2015)

Temporal organization in the masses of Johannes Ockeghem / by Andrew J. Farina (2014)

The expressive phrasing concepts of Marcel Tabuteau applied to concerto in Eb major for horn and orchestra, K. 417 by W.A. Mozart / by Joshua P. Micha (2014)

Smooth voice-leading systems for atonal music / by Yeajin Kim (2013)

The songs of Lori Laitman : an analysis of sunflowers and early snow / by Helen Teresa Allen (2013)

The Reed Trio : analysis of works by Ibert, Françaix and Schreiner with a representative repertoire list / by Jacqueline Therese Bretz (2013)

Concerto for Bassoon and Orchestra by Ellen Taaffe Zwilich : background, analysis, and performance application / by Emily Ann Patronik (2013)

Ignace Joseph Pleyel's Parthia in Dis : a study and critical edition / by John Anthony Oelrich (2012)

Ecuadorian-folk and avant-garde elements in Luis Humberto Salgado's sonatas for string instruments / by Juan Carlos Ortega Paredes (2012)

Polytonal non-octave complexes / by Luis Javier Obregón (2012)

Daniel Levitan : an examination of his compositional approach with an analysis of marimba four hands / by Gregory Austin Lyons (2011)

An analysis of style and influence in Mario Castelnuovo-Tedesco's Le Danze del Re David / by Chien-Hui Wong (2011)

Robert Schumann's part-songs for men's chorus and a detailed analysis of Fünf Gesänge (Jagdlieder), opus 137 / by Timothy David Sarsany (2010)

A comparison of Samuel Barber's: Knoxville: Summer of 1915 and Andromache's Farewell / by Diana Marina Cataldi (2010)

The study of the relationship between Arnold Schoenberg and Wassily Kandinsky during Schoenberg's expressionist period / by Sohee Kim (2010)

An analysis and performance guide to Benjamin Lees's Odyssey I and II / by Youmee Kim (2008)

The death and resurrection of function / by John Gabriel Miller (2008)

A foundational approach to core music instruction in undergraduate music theory based on common universal principles / by Christy Jo Talbott (2008)

An innovative approach to serialism : George Rochberg's Twelve bagatelles for piano and Symphony no. 2 / by Yoojin Kim (2007)

"Xianshi," the Viola Concerto by Yi Chen : general analysis and issues of performance interpretation / by Chi-Chuan Teng (2001). Authorization/login required.

An eighteenth-century Pietist theory of music psychology : the "Brevissima theoriae musicae analysis" of Johann Fricker and Friedrich Oetinger / by Peter John Knapp (2001). Authorization/login required.

Part writing, error detection, and writing-to-learn : three strategies for learning music theory constructs / by Bruce C. Kelley (1997)

Approaches to Wolf : Schenker, transformation, function / by Elizabeth Paige Sayrs (1997)

An analysis of three violin sonatas by William Bolcom / by Philip Richard Baldwin (1996)

Aspects of neo-classicism in the first movements of piano sonatas by Barber, Sessions, Copland, and Stravinsky / by Gui Sook Lee (1996)

A critical examination of Schenker's theory of linear progressions / by Edward W. Klonoski (1994)

Enharmonicism in theory and practice in 18th-century music / by Paula Jean Telesco (1993). Authorization/login required.

Harmonic tonality in the theories of Jérôme-Joseph Momigny / by Glenn Gerald Caldwell (1993). Authorization/login required.

Aspects of early major-minor tonality : structural characteristics of the music of the sixteenth and seventeenth centuries / by Norman Douglas Anderson (1992). Authorization/login required.

Tonality in Schoenberg's Theme and variations for band, Opus 43a and Symphony for band / by David Manuel Garcia (1986)

An examination of semiotics in musical analysis : the Neapolitan complex in Beethoven's Op. 131 / by William Patrick Dougherty (1985)

Double string quartet : musical score and analysis / by Thomas Howard Romine (1984). Authorization/login required.

Descriptive analysis of three one-act operas by Seymour Barab / by Heather Joy Parr (1982)

Dialogue for jazz piano and orchestra with preliminary research and analysis / by John Theodore Emche (1980). Authorization/login required.

Paul Hindemith's music for flute : analysis of solo works and stylistic and formal considerations of chamber works / by Jean Mary Ohlsson (1975). Authorization/login required.

Between the inside and the outside : seven American composers in the twentieth century and their piano pieces / by Liguang Zhou (2019)

A study of Tyzen Hsiao's piano concerto, op. 53: a comparison with Rachmaninoff's piano concerto no. 2 / by Lin-Min Chang (2018)

Pulse (2014) by Ching-chu Hu : an approach, analysis, and performance study / by Pei-Sin Chen (2017)

A study of Unsuk Chin's Piano Concerto: The influence of Gyorgy Ligeti's Piano Concerto / by Eunhee Kim (2016)

Tan Dun's Eight Memories in Watercolor, op.1 : strategies for pianists and a version comparison / by Baolu Chen (2016)

Bagatelles No. 6 and No. 8, Op. 59 by Nikolai Kapustin : background, analysis, and performance guideline / by Sekyeong Seong (2015)

György Ligeti's Désordre and L'escalier du Diable : compositional style and method of practice / by Mihyun Lee (2015)

A study and performance guide to Luciano Berio's Six Encores pour piano / by Jinyoung Kim (2014)

Chopin's Cantabile in context / by Stephanie Lynn Frakes (2013)

A study of the Third Piano Sonata of Carl Vine (2007) : the musical characteristics of the third sonata compared through the first sonata and second sonata and practical performance guidance / by Gina Kyounglae Kang (2012)

Writing styles and performance guidelines of Carl Vine's Piano Concerto No. 1 / by Ji Young Park (2012)

George Gershwin's An American in Paris for two pianos : a critical score study and performance guide / by Joseph Michael Van Dyk (2011)

Selected original piano solo works of Robert Boury : emphasis on performance and practice suggestions / by Rina Shimizu-Grow (2011)

Analysis of and performance suggestions for Astor Piazzolla's piano solo work Three Preludes : Leijia's game, Flora's game, Sunny's game / by Lin-San Chou (2010)

Analysis and performance aspects of Donald Harris' sonata for piano / by Seon Ok Kim (2010)

Variations on a Theme by Haydn (1990) and the Invisible Drummer (1974) by Andre Previn : an introduction and approach to performance / by Mei-Hsuan Huang (2010)

The piano and wind quintets of Mozart and Beethoven : reception and relationship / by Roberta Zajkowski (2010)

The solo piano works of Alexander Müllenbach : an introduction and approach to performance / by Ryan Joseph Behan (2009)

Edvard Grieg's "Ballade in the form of variations on a Norwegian melody," op.24, for piano, and "Old Norwegian melody with variations," op.51, for two pianos : an analytical overview and interpretive study of the variation procedure / by Amalia Sagona (2009)

Dmitri Shostkovich's [sic] Piano concerto op. 35 : a pianist's performance guide / by Jung-Hwa Lee (2008)

Analysis and performance aspects of György Ligeti's Études pour piano : Fanfares and Arc-en-ciel / by Yung-jen Chen (2007)

An analysis of and performance guide to Lou Harrison's Suite for Piano and Kenneth Leighton's Six Studies: Study-Variations Op. 56 / by Na Young Kim (2004)

The piano sonatas of Carl Vine : a guideline to performance and style analysis / by Eun-Kyoung Yang (2003)

Janáček from the pianist's perspective : a prescriptive analysis of "On an overgrown path," the Sonata 1.X.1905, and "In the mist" / by Jennifer Eunji Lee (2003)

The variations in B Flat Minor, Opus 3 of Karol Szymanowski : an analysis of performance challenges and solutions / by Yung-Ching Yang (2002). Authorization/login required.

The influence of Chopin in Piano music on the twenty-four preludes for Piano, Opus 11 of Alexander Scriabin / by Seong-Ae Lim (2002)

Prokofiev piano sonatas no. 2, no. 5, and no. 8 : comparison and performance strategies / by Yun-Young Hwang (2002)

The piano compositional style of Lucrecia Roces Kasilag / by Caroline Besana Salido (2002)

Igor Stravinsky's three movements from Petrushka : an analysis of performance practice / by Hee Chung (2002)

A performer's guide to the six Preludes, op. 6, and Toccata, op. 15, of Robert Muczynski : with a short synopsis of Russian influence and style / by Min-Jung Cho (2002)

The two sonatas for Violin and Piano by a neglected composer, Howard Ferguson : a performer's analysis / by Ya-Chiao Lin (2000)

Trilogy-Prokofiev's War Sonatas : a study of pianism diagnosis and performance practice / by Chiann-Yi Liao (1999)

Symbolic structure in the music of Gubaidulina / by Fay Damaris Neary (1999)

Aspects of historical background, literary influence, form, and performance interpretation in Robert Schumann's Carnaval / by Chllung-Wel Chou (1998)

The cello and piano works of Camargo Guarnieri / by Paulo César Martins Rabelo (1996)

Aspects of neo-classicism in the first movements of piano sonatas by Barber, Sessions, Copland, and Stravinsky / by Gui Sook Lee (1996)

The Debussy edition of The four ballades of Chopin / by Wei Wu (1995)

Beethoven's piano concerto in C major, opus 15 : structural analysis and performance strategies / by Gloria Nye-Gin Yeh (1994)

Mozart's Piano concerto in D minor, K. 466 : analysis and discussion of interpretation and performance / by Mei-Na Hsu (1994)

Robert Schumann's piano concerto in A minor, Op. 54 : a stemmatic analysis of the sources / by Mahn-Hee Kang (1992)

A study of Chopin's piano sonata No. 3 in B minor, Op. 58, with suggestions for performance / by Janida Dhuvabhark (1992)

John Ireland's first Sonata for violin and piano : an introduction to its study / by Nelson Owen Harper (1992). Authorization/login required.

The piano concertos of Carl Maria von Weber : precursors of the romantic piano concerto / by Richard C. Lopez (1989)

A style change in Rachmaninoff's piano music as seen in the second piano sonata in B-flat minor, Opus 36 [1913 and 1931 versions] / by Kim Andrei Lasa (1988)

A graded annotated bibliography of selected solo piano works of Alexandre Gretchaninoff / by Ann Elisa Haertling-Lint (1988). Authorization/login required.

An analysis of Rachmaninoff's Concerto no. 2 in C minor, op. 18 : aids towards performance / by So-Ham Kim Chung (1988)

Chiang Wen-Yeh : the style of his selected piano works and a study of music modernization in Japan and China / by Tzong-Kai Kuo (1987). Authorization/login required.

Chopin's Concerto in E minor, op. 11 : an analysis for performance / by Chia-Huei Ai (1986). Authorization/login required.

Score and analysis of the International Suite for Two Pianos and Orchestra / by James Edward Lucas (1986). Authorization/login required.

The original composition and analysis of "Ten Concert Etudes for Pianoforte" / by Steven Martin Bresnen (1985). Authorization/login required.

An analysis of Frank Martin's Second Piano Concerto / by Michael Eldon Dellinger (1985). Authorization/login required.

Alexander Scriabin's ten piano sonatas : their philosophical meaning and its musical expression / by Elizabeth A. Barany-Schlauch (1985)

Hindemith's Third Piano Sonata : a new assessment / by Viscount Francis Thurston (1984). Authorization/login required.

The original solo piano music of Albert Roussel / by Timothy John Minnis (1984). Authorization/login required.

An analytical study of the Piano Concerto in A Minor, Op. 54, of Robert Schumann / by Diane Kay Earle (1984). Authorization/login required.

Dialogue for jazz piano and orchestra with preliminary research and analysis / by John Theodore Emche, Jr. (1980). Authorization/login required.

The piano between 1800 and 1850 : the instruments for which the composers wrote / by John Wesley Golightly (1980)

A program in piano accompanying at the Ohio State University : a feasibility study / by Judyth Carolyn Lippmann (1980). Authorization/login required.

The status and practices of class piano programs in selected colleges and universities of the state of Ohio / by Werner Sonntag (1980)

The interpretation of accent signs in Roger Sessions' Third Piano Sonata / by Diana Ruth Duffin (1979). Authorization/login required.

A study of the similarities in fingering principles of the 18th and 20th centuries / by Marya Hannum Giesy (1979). Authorization/login required.

An analysis of the Opera III, V, and VI keyboard sonatas of Giovanni Marco Placido Rutini / by Stephen Butler Brown (1979). Authorization/login required.

The musical textures of Stravinsky's Three Movements from Petrouchka, for piano: a comparative study of the transcription with other versions of Petrouchka / by Roger Trent Nohl (1978). Authorization/login required.

The influence of French impressionism and the essence of the Hungarian national character in Zoltán Kodály's piano music / by István Paku Korody (1978)

Tonality and form in selected French piano sonatas : 1900-1950 / by Virginia Elizabeth Kniesner (1977)

The Controlled Indeterminacy in Lutoslawski's Cello Concerto / by Shuo Shen (2019)

How to learn the Dvořák concerto in B minor : building personalized practice techniques for virtuosic performance / by Elizabeth Jeremica (2015)

A pedagogical approach to vibrato styles for advanced cello students and their teachers / by Tzu Yun Chen (2013)

String bass lutherie in North America : a compendium of makers and examples, 1788-1970 / by Garry Wasserman (2012)

Ecuadorian-folk and avant-garde elements in Luis Humberto Salgado's sonatas for string instruments / by Juan Carlos Ortega Paredes (2012)

Pitch performance : a rational approach to the acquisition of intonation skills / by Benjamin R. Coy (2012)

Building memory structures to foster musicianship in the cello studio / by Mary Davis Fetherston (2011)

The effects of aural and visual strategies on the memorization of beginning-level string students / by Jacob Michael Dakon (2011)

A comparative study of selected violin works of Isang Yun : Gasa für Violine und Klavier (1963) and Sonate für Violine und Klavier / by Kyung Ha Lee (2009)

Five late Baroque works for string instruments transcribed for clarinet and piano : a performance edition with commentary / by Antoine Terrell Clark (2009)

Musical use of a general and expressive plucked-string instrument in software / by James Michael Croson (2004)

"Xianshi," the Viola Concerto by Yi Chen : general analysis and issues of performance interpretation / by Chi-Chuan Teng (2001). Authorization/login required.

The three violin sonatas of British composer Wilfred Josephs (1927-1997) / by Shi-Ling Lin (2000). Authorization/login required.

The two sonatas for Violin and Piano by a neglected composer, Howard Ferguson : a performer's analysis / by Ya-Chiao Lin (2000)

Symbolic structure in the music of Gubaidulina / by Fay Damaris Neary (1999)

The Cello works of Hsiao Tyzen / by Ru-Ping Chen (1999). Authorization/login required.

The Cello and Piano Sonatas of Emilie Mayer (1821-1883) / by Marie-Aline Cadieux (1999). Authorization/login required.

Antoine Reicha's quartets for flute and strings, op. 98 : an historical perspective and stylistic overview / by Leslie Goldman Maaser (1998). Authorization/login required.

The status of contrabass instruction at selected colleges and universities in the United States of America / by Tod Leavitt (1997)

The cello and piano works of Camargo Guarnieri / by Paulo César Martins Rabelo (1996)

An analysis of three violin sonatas by William Bolcom / by Philip Richard Baldwin (1996)

A performer's analysis of Allan Pettersson's Concerto No. 2 for violin and orchestra / by Anna Kwak (1994). Authorization/login required.

The violin music of Karol Szymanowski : a review of the repertoire and stylistic features / by Lisa Elizabeth Lantz (1994)

Biomechanical analysis of double bassists' performance postures / by Kathleen A. Horvath (1994)

Towards development of a critical edition of the string quartets of Charles Tomlinson Griffes / by Constance Elizabeth Barrett (1994). Authorization/login required.

John Ireland's first Sonata for violin and piano : an introduction to its study / by Nelson Owen Harper (1992). Authorization/login required.

A five year comprehensive curriculum for young violinists / by Karen Williams Romeo (1986)

The ten preludes for Unaccompanied Violin, op. 35 by Eugène Ysaÿe / by Gordon Shepherd Baughman (1976)

An investigation of the relationships between parental involvement and the performance ability of violin students / by Gerald Richard Doan (1973)

Flute repertoire from Japan : an analysis of twentieth-century flute sonatas by Ikuma Dan, Hikaru Hayashi, and Akira Tamba / by Daniel Ryan Gallagher (2019)

The Interpretation of Opera Excerpts for Bassoon: A Pedagogical Analysis of Selected Excerpts / by Erik S. Malmer (2019)

Twenty interesting etudes for the developing trumpet player : the challenges of range and need for intermediate etudes / by Edward Clark (2019)

African-American bassoonists and their representation within the classical music environment / by Ian Anthony Bell (2019)

Turkish classical clarinet repertoire : performance, accessibility, and integration into the canon with a performance guide to works by Edward J. Hines and Ahmet Adnan Saygun / by Sarah Elizabeth Korneisel (2019)

A conductor's and performer's guide to Steven Bryant's concerto for alto saxophone / by Chester James Jenkins (2018)

A survey of chamber works for trumpet and electronics / by Isaac David Winland (2018)

A conductor's and performer's guide to Steven Bryant's concerto for alto saxophone / by Chester James Jenkins (2018)

The United States Army Band Herald Trumpets, 1959-2017 / by Kenneth Bradley Holzworth (2018)

The structure and movement of clarinet playing / by Sheri Lynn Rolf (2018)

The clarinet works of Jörg Widmann : a performance guide to fantasie for clarinet solo with a survey of unaccompanied clarinet repertoire and guide to contemporary techniques / by Zachary Daniel Dierickx (2018)

Interdisciplinary transfer and cultivation : how vocal, writing, and visual arts can inform horn practice amd performance / by Jenna Lynn McBride-Harris (2017)

Finding meaning in the music of David Maslanka / by Melody Baker (2017)

Three danzas by Puerto Rican clarinetist/composer Juan Ríos Ovalle arranged for clarinet and piano / by Evan Thomas Lynch (2017)

A Classical clarinetist's guide to klezmer music / by Dylan Mikhail Lloyd (2017)

First-wave women clarinetists retrospective : a guide to women clarinetists born before 1930 / by Manchusa Loungsangroong (2017)

Brahms's four serious songs : arranged for trombone and string orchestra / by Anthony L. Weikel (2015)

Gustave Vogt : performer, educator and composer toward an edition of his works for oboe and English horn / by Stephanie Jane Kunz (2015)

An introduction to twentieth-century flute music by Norwegian composers : with emphasis on Øistein Sommerfeldt and publications by Norsk Musikforlag / by Rachel E. Haug (2015)

Lieder eines fahrenden Gesellen : transcription for trumpet ensemble / by Benjamin Michael Joy (2015)

Contemporary clarinet music in Finland : three concertos by Finnish composers commissioned for Kari Kriikku / by Katie Marie Morell (2014)

The expressive phrasing concepts of Marcel Tabuteau applied to concerto in Eb major for horn and orchestra, K. 417 by W.A. Mozart / by Joshua P. Micha (2014)

Philippe Gaubert's Poème élégiaque pour saxophone et orchestre : a study and critical edition / by Christian Secrist (2013)

“The Singing Style of the Bohemians” – A Study of the Bohemian Contributions to Horn Pedagogy, Western Perspectives on Czech Horn Playing and Analysis of the Teachings of Zdenek Divoky' at the Academy of Performing Arts / by Tiffany N. Damicone (2013)

The commissioned flute choir pieces presented by university/college flute choirs and NFA sponsored flute choirs at National Flute Association annual conventions with a brief history of the flute choir and its repertoire / by Yoon Hee Kim (2013)

The Reed Trio : analysis of works by Ibert, Françaix and Schreiner with a representative repertoire list / by Jacqueline Therese Bretz (2013)

The clarinetist's guide to the performance of the clarinet, viola, and piano trios by Mozart, Bruch, and Larsen / by Adrienne Marie Marshall (2013)

Observations of Bassoon playing in Malmö, Sweden and Copenhagen, Denmark / by Kerry Ann Haberkern (2013)

Concerto for Bassoon and Orchestra by Ellen Taaffe Zwilich : background, analysis, and performance application / by Emily Ann Patronik (2013)

Flute articulation pedagogy : the effect of language-specific consonant pronunciation on a flutist's articulation within the French and English languages / by Erin Helgeson Torres (2012)

Joseph Kreines and his music for alto saxophone : a biography, analysis, and performance guide / by Michael Rene Torres (2012)

Pitch performance : a rational approach to the acquisition of intonation skills / by Benjamin R. Coy (2012)

Humbert Lucarelli : oboe artist / by Bradley Michael Walsh (2011)

An overview of the history and current state of bassoon music in Mexico / by Kristilyn Woods (2011)

A supplementary book of Chinese music for the Suzuki flute student / by Nicole Marie Charles (2010)

The swing era clarinetists and their contributions to twentieth-century clarinet repertoire / by Mary Margaret Smith (2010)

An overview of the pedagogical benefits of trumpet ensemble playing / by Jonathan Todd Bosarge (2010)

The piano and wind quintets of Mozart and Beethoven : reception and relationship / by Roberta Zajkowski (2010)

The evolving mission and purpose of the Pittsburgh Flute Club in the twentieth century / by Kathleen Anne Cameron (2009)

Observations and trends found in Stravinsky's use of the clarinet during the years 1914-1919 / by Jennifer Joy Laubenthal (2009)

Duo sonatas and sonatinas for two clarinets, or clarinet and another woodwind instrument : an annotated catalog / by Yu-Ju Ti (2009)

Three quintets by and for Heinrich Joseph Baermann / by Alisha Leighanne Miller (2009)

A study of the use of tuba in Ralph Vaughan Williams' nine symphonies / by John R. Bottomley (2009)

A new model for beginning trombone lessons / by Joel Shonkwiler (2009)

An annotated bibliography of current research in the field of the medical problems of trumpet playing / by Mark Alan Wade (2008)

The musical life and career of James B. Underwood / by James M. Stokes, Jr. (2008)

An illustrated basic flute repair manual for professionals / by Horng-Jiun Lin (2008)

Conflict and meaning in Carl Nielsen's Concerto for clarinet and orchestra, Op. 57 (1928) / by Douglas Monroe (2008)

The oboe concerto of John Harbison : a guide to analysis, performance, and the collaboration with oboist William Bennett / by Ann Fronckowiak (2006)

A bibliography of chamber music and double concerti literature for oboe and clarinet / by Anthony J. Costa (2005)

The application of different teaching strategies reflective of individual students' learning modalities in the university flute studio class / by Nicole L. Molumby (2004)

Leoš Janáček's wind sextet, Mládí: A history of an interpretative source and suggestions for performance / by Elizabeth Suzanne Chaussé (2004)

Brecker's blues : transcription and theoretical analysis of six selected improvised blues solos by jazz saxophonist Michael Brecker / by David Rawlings Freedy (2003)

Flutists' family tree : in search of the American Flute School / by Demetra Baferos Fair (2003)

An annotated bibliography of twentieth-century solo and chamber literature for the E-flat clarinet / by Kathleen M. Gardiner (2002)

Potential implications for the studio environments in the 21st century : model: studio arts-specifically, schools of music Oboe performance / by Debra Hawk-Volzer (2002)

A selected study of symphonies concertantes for multiple clarinet soloists, 1770-1850, including works by Stamitz, Devienne, Krommer, Tausch, Müller, Schindelmeisser and Baermann / by Gail S. Lehto (2002)

Trio for horn, cello and piano / by Richard A. Nichols (2002). Authorization/login required.

Scale, arpeggio, and interval studies for the bassoon / by Robert D. Jordan (2001). Authorization/login required.

Hugo Fox : a biography of a prominent American Bassoonist / by Karen M. Crews (2001). Authorization/login required.

Chamber music with bass clarinet: a bibliography of works and a correlation with the emergence of the Virtuosic Orchestral Bass Clarinet / by Daniel A. Paprocki (2000)

The Piccolo in the chamber music of the twentieth century : an annotated bibliography of selected works / by Therese M. Wacker (2000)

An index of excerpts and an overview of published Orchestral Bassoon excerpt collections with a comparison of three collections / by Tama I. Kott (2000). Authorization/login required.

The influence of Jazz and popular music on the American Trombone Concerto, a selected study of the Solo Trombone and large ensemble works of Richard Peaslee, James Pugh, Howard Buss, and Dexter Morrill / by Thomas W. Zugger (2000)

The New York Woodwind Quintet : a continuing legacy / by Amy L. Likar (1999)

The F major bassoon concerto (RTT Schacht 30) of Theodor Von Schacht (1748-1823) / by Douglas E. Spaniol (1998). Authorization/login required.

An examination of published orchestral excerpt study materials for bassoon and contrabassoon / by David W. Oyen (1998)

The Woodwind music of Arthur Roland Frackenpohl : his biography, an analysis of two works for Clarinet, and an annotated bibliography of the original works for Woodwinds / by Deborah Elizabeth Andrus (1998). Authorization/login required.

Antoine Reicha's quartets for flute and strings, op. 98 : an historical perspective and stylistic overview / by Leslie Goldman Maaser (1998). Authorization/login required.

A Hypermedia Guide to Jazz Appreciation, Beginnings to Chicago / by Craig S. Sylvern (1996). Authorization/login required.

Selected chamber excerpts for clarinet taken from the repertoire of the mixed wind quintet / by Barbara A. Specht (1996)

An annotated bibliography of Canadian music for oboe, oboe d'amore and English horn found in the Canadian Music Centre / by Sarah J. Hamilton (1996)

The clarinet reed : an introduction to its biology, chemistry, and physics / by Donald Jay Casadonte (1995)

A selected bibliography of music for clarinet and one other instrument by women composers / by Melanie Ann Richards (1993)

Certain oboe techniques and ensemble pedagogy in selected woodwind chamber music of Heitor Villa-Lobos / by Ailene Annette Munger-MacKay (1993)

 

A repertoire guide Including annotations of high school level keyboard percussion works for four mallets / by Ashley Nicole Summerlin (2019)

The notation and engraving of percussion in modern wind band composition / by Mario Antony Marini (2016)

Four works for solo timpani: an analysis and performance guide / by Naomi Joy Marcus (2016)

Daniel Levitan : an examination of select unpitched percussion chamber works / by Juan Mendoza III (2015)

Solo and chamber percussion works by Nigel Westlake : an examination of Fabian theory, the Hinchinbrook Riffs, the Invisible Men, Kalabash, Malachite Glass, Moving Air, Omphalo Centric Lecture and Penguin Circus / by Kevin Matthew Estes (2014)

Eckhard Kopetzki's compositions for Marimba Competitions : an examination and comparison of Three Movements for a Solo Dancer and Night of Moon Dances / by Darin James Olson (2011)

Daniel Levitan : an examination of his compositional approach with an analysis of marimba four hands / by Gregory Austin Lyons (2011)

Development of the percussion ensemble through the contributions of the Latin American composers Amadeo Roldán, José Ardévol, Carlos Chávez, and Alberto Ginastera / by John Richard Hall (2008)

A cultural analysis of Afro-Caribbean rhythm, strumming, and movement for the North American school steelband / by Lennard V. Moses (2008)

The published vibraphone music of Christopher Deane : an examination and comparison of Mourning dove sonnet and The apocryphal still life / by David Malcolm Wolf (2008)

A review of literature and texts relating to the percussion methods course including a proposal for a new text to meet concerns about course content and structure / by Kimberley H. Burdett (2007)

An examination of notation in selected repertoire for multiple percussion / by Alyssa Gretchen Smith (2005)

A survey of percussion studio curricula in the state universities of the United States and Puerto Rico / by Pamela J. Nave (2001)

The distribution, construction, tuning, and performance technique of the African log xylophone / by Yoo Jin Bae (2001)

Notation for percussion instruments / by Charles L. Spohn (1953)

Lieder eines fahrenden Gesellen : transcription for trumpet ensemble / by Benjamin Michael Joy (2015)

The clarinetist's guide to the performance of the clarinet, viola, and piano trios by Mozart, Bruch, and Larsen / by Adrienne Marie Marshall (2013)

The commissioned flute choir pieces presented by university/college flute choirs and NFA sponsored flute choirs at National Flute Association annual conventions with a brief history of the flute choir and its repertoire / by Yoon Hee Kim (2013)

The Reed Trio : analysis of works by Ibert, Françaix and Schreiner with a representative repertoire list / by Jacqueline Therese Bretz (2013)

Factors influencing the programming practices of conductors of mid-level collegiate ensembles / by David McKinley Hedgecoth (2012)

An overview of the pedagogical benefits of trumpet ensemble playing  / by Jonathan Todd Bosarge (2010)

The piano and wind quintets of Mozart and Beethoven  : reception and relationship / by Roberta Zajkowski (2010)

Duo sonatas and sonatinas for two clarinets, or clarinet and another woodwind instrument : an annotated catalog / by Yu-Ju Ti (2009)

Three quintets by and for Heinrich Joseph Baermann / by Alisha Leighanne Miller (2009)

An annotated bibliography of twentieth-century solo and chamber literature for the E-flat clarinet / by Kathleen M. Gardiner (2002)

Trio for horn, cello and piano / by Richard A. Nichols (2002). Authorization/login required.

The New York Woodwind Quintet : a continuing legacy / by Amy L. Likar (1999)

The Woodwind music of Arthur Roland Frackenpohl : his biography, an analysis of two works for Clarinet, and an annotated bibliography of the original by Deborah Elizabeth Andrus (1998). Authorization/login required.

Antoine Reicha's quartets for flute and strings, op. 98 : an historical perspective and stylistic overview / by Leslie Goldman Maaser (1998). Authorization/login required.

Selected chamber excerpts for clarinet taken from the repertoire of the mixed wind quintet / by Barbara A. Specht (1996)

Certain oboe techniques and ensemble pedagogy in selected woodwind chamber music of Heitor Villa-Lobos / by Ailene Annette Munger- MacKay (1993)

Differential approaches to rehearsing and conducting an instrumental ensemble / by Bruce Burbank Moss (1989)

Musical conducting emblems : an investigation of the use of specific conducting gestures by instrumental conductors and their interpretation by instrumental performers / by Gary Donn Sousa (1988)

A descriptive analysis of secondary instrumental conductor rehearsal problem-solving approaches, addressed musical elements and relationship to student attitude / by Louis A. Menchaca (1988)

The synthesis and manipulation of fused ensemble timbres and sound masses by means of digital signal processing / by Richard Jordan Smoot (1986). Authorization/login required.

A study of the effectiveness of rhythmic drill materials with student/conductor-teachers while conducting a live ensemble from a full score / by Jack Norman Liles (1978)

Music for two, three, and four flutes by Friedrich Kuhlau / by Ann Kozuch Fairbanks (1975)

Sousa's descriptive works and suites as class-cultural mediations / by Steven Wilcer (2017)

The history and development of the front ensemble in drum corps international / by Lane Wendell Summerlin (2016)

An examination of the band works nominated for the Grawemeyer Award for music composition and factors influencing the likelihood a band work will win / by Nicholas James Enz (2015)

Ohio band directors' perceptions of large group adjudicated events / by Kenneth Lloyd Hoffman, Jr. (2014)

An analysis of select beginning band method books and the level to which they address the national standards for music education / by Kie Watkins (2011)

A study of Ohio high school band directors' perceived preparation for teaching high school marching band through participation in a collegiate marching band, marching band technique classes, and methods courses / by Brad A. Williamson (2009)

"El Salón México" by Aaron Copland : a study and comparison of the orchestral score and two transcriptions for band / by Erika Kirsten Svanoe (2009)

A cultural analysis of Afro-Caribbean rhythm, strumming, and movement for the North American school steelband / by Lennard V. Moses (2008)

The Symphony for band of Donald E. McGinnis : a guide for conductors / by Matthew Charles Saunders (2007)

A study of first-year students within The Ohio State University and the factors influencing nonparticipation in band programs at the collegiate level / by Michael John Stewart (2007)

An index of wind band literature analyses from periodicals and university research / by Milton Allen (2006)

A descriptive analysis of the fourteen Mid-American Conference athletic band programs / by Eric W. Aho (2005)

A course in band literature based on a standard repertoire developed from the opinions of selected collegiate and secondary school band directors / by Carol M. Hayward (2004)

A study of the wind-band music of Frank Ticheli with an analysis of Fortress, Postcard, and Vesuvius / by John A. Darling (2001)

The quality and technical difficulty of repertoire performed by non-auditioned, small college bands and the criteria considered in the selection of this literature / by Ronda E. King (2001)

A study of factors influencing nonparticipation in collegiate band programs among first-year students in the Pacific-10 Athletic Conference / by John Bradley McDavid (1999)

A descriptive analysis of the eleven Big Ten Conference marching band programs / by John Allen Fuller (1995)

Notable percussion excerpts of the twentieth century wind-band repertoire / by Charles Timothy Sivils (1995)

A selected annotated list of wind band works by Henry Cowell and a performance edition of his Hymn and Fuguing Tune No. 1 for Symphonic Band / by Jere by Brown, Jeremy Scott (1993)

A status study of nonselective concert bands at selected colleges and universities / by Patrick Franklin Casey (1993). Authorization/login required.

"A-tonal odyssey for band" : a detailed analysis / by David L. Taylor (1992). Authorization/login required.

The brass band movement in North America : a survey of brass bands in the United States and Canada / by Ned Mark Hosler (1992). Authorization/login required.

The influence of Leonard B. Smith on the heritage of the band in the United States / by Vincent Polce (1991). Authorization/login required.

The effects of expressive and nonexpressive conducting on the performance accuracy of selected expression markings by individual high school instrumentalists / by Vincent James Sidoti (1990). Authorization/login required.

Wind band performance repertoire at the university level : a survey of collegiate wind band curricula and current repertoire selection processes / by David Otto Woike (1990)

The effect of conductor sensitization on ensemble response to articulation styles in high school bands / by John Wallace Taylor (1989). Authorization/login required.

An auralization-based curriculum as a methodology for advanced aural skills training for wind band conductors / by Marcia Ann La Reau (1989). Authorization/login required.

Marching band techniques in the music teacher education curriculum : a survey of high school band director needs and current university offerings and practices / by Frank Carl Tracz (1987)

A descriptive analysis of relationships between verbal behaviors of teacher-conductors and ratings of selected junior high and senior high school band rehearsals / by Robert Alan Carpenter (1986). Authorization/login required.

Tonality in Schoenberg's Theme and variations for band, Opus 43a and Symphony for band / by David Manuel Garcia (1986)

The effects of selected factors on the choice of freshmen instrumentalists in small colleges to participate or not to participate in the college concert band / by Garen Killion Milton (1982)

The effects of structured singing activities and self-evaluation practice on elementary band students' instrumental music performance, melodic tonal imagery, self-evaluation, and attitude / by LaPointe Manuel Davis (1981)

Relationship of private instrumental music instruction to the performance ratings of selected school bands / by Robert F. Kessler (1961)

A performance guide to Friendly Persuasions : Homage to Poulenc by Jake Heggie and Gene Scheer / by Daniel Christopher Stein (2019)

Vascularity and the hormonal cycle in female classical singers / by Kimberly Dawn Monzón (2019)

An Attentive Interpretation Study of Claude Debussy’s Trois chansons de Bilitis for Mezzo-Soprano and Piano, Including Jake Heggie’s Arrangement of Trois Chansons de Bilitis for Mezzo-Soprano and String Quartet / by Élise DesChamps (2019)

From baritone to tenor: making the switch / by Weilong Tao (2017)

Musical means in Mussorgsky's Songs and dances of death : a singer's study guide / by Jason Fuh (2017)

The adolescent singing voice in the 21st century : vocal health and pedagogy promoting vocal health / by Rianne Marcum Gebhardt (2016)

Humanistic vocal pedagogy: exploring a voice teacher's scope of practice through a perspective of wellness / by Emily Katherine Brand (2016)

Teaching the songs of Ivor Gurney : an applied studio guide to the utilization of fourteen songs / by Errik M. Hood (2015)

A study guide of the Taiwanese composer, Nan-Chang Chien, and his four aboriginal lieder for soprano and orchestra / by Szu-Yu Chu (2014)

Guide of the voice teacher to vocal health for voice students : preventing, detecting and addressing symptoms / by Sarah Khatcherian Milo (2014)

The songs of Lori Laitman : an analysis of sunflowers and early snow / by Helen Teresa Allen (2013)

Perfecting your practice : rehearsal techniques and strategies for the undergraduate singer / by Jennifer Maxwell Whitehead (2013)

That world of somewhere in between : the history of cabaret and the cabaret songs of Richard Pearson Thomas, Volume I / by Rebecca Eveleth Mullins (2013)

Ernesto Lecuona : his life and his songs / by Olga Perez Flora (2013)

A performance guide to Mandarin-Chinese diction and selected art songs / by Yung-Wei Sun (2012)

A performer's guide to John Musto's song cycle, Quiet songs / by Ching-Yi Chen (2012)

Translation into Korean of chapter 9, appendix I, and II of The Functional Unity of the Singing Voice by Barbara M. Doscher / by Eunsook Lee (2011)

Bridging the gap, transitioning vocalists from academia to career / by Laura Michele Portune Cordell (2011)

The Russian word in song: cultural and linguistic issues of classical singing in the Russian language / by Kathleen L. Manukyan (2011)

Understanding Libby Larsen's "Beloved, Thou Hast Brought Me Many Flowers" a collection of love songs / by Huei-en Hsuu (2011)

Musical and lyrical multiplicity of hua'er flower songs / by Mo Li (2011)

Hanns Eisler and his Hollywood Songbook : a survey of the Five Elegies (Fünf Elegien) and the Hölderlin Fragments (Hölderlin-Fragmente) / by Stanley E. Workman, Jr. (2010)

A comparison of Samuel Barber's: Knoxville: Summer of 1915 and Andromache's Farewell / by Diana Marina Cataldi (2010)

Alan Louis Smith's Vignettes: Ellis Island : the history, evolution and performance of a modern American song cycle / by Tamara Brooke Regensburger (2009)

The five song collections of John David Earnest set to the poetry of Robert Bode : a performer's perspective / by Dennis M. Bassett (2009)

Ernest John Moeran : seven poems of James Joyce a singer's guide to preparation and performance / by Cyril Andrew Blosser (2009)

​"I sing because I'm free" : developing a systematic vocal pedagogy for the modern gospel singer / by Crystal Yvonne Sellers (2009)

​Stephen Foster and American song : a guide for singers / by Samantha Renee Mowery (2008)

A performer's examination of John Musto's Shadow of the blues and Recuerdo / by Daniel Hunter-Holly (2007)

Songs to the moon : a song cycle by Jake Heggie from poems by Vachel Lindsay / by Carolyn E. Redman (2004)

The Liriche da camera of Francesco Santoliquido / by Abra K. Bush (2003)

The owner's manual to the singing voice / by Rachael Kathleen Gates (2002)

Briefly it enters : a song cycle by William Bolcom from poems by Jane Kenyon / by Nancy E. Jennings Jantsch (2001)

The art songs of André Previn with lyrics by Toni Morrison : Honey and Rue and Four Songs for Soprano, Cello and Piano a performer's perspective / by Adrian, Stephanie McClure (2001)

Selected Gershwin songs as transcribed for the piano by George Gershwin and Earl Wild / by Yun-Ling Hsu (2000)

Janice Harsanyi : profile of an artist/teacher / by Eric Hoy Tucker (1998)

Symbolism and textual painting in four vocal works by George Crumb / by Douglas Bell Reeder (1997)

The contributions of four African-American women composers to Amreican Art Song / by Carren D. Moham (1997)

A performer's guide to the text and music of Dominick Argento's The Andrée Expedition / by Michael Andrew Paxson (1997)

Twentieth-Century American Composer Thomas Pasatieri: An Examination of Style as Illustrated by the Works Set to the Text of American Poet Kit Van Cleave / by Beth Bauer (1996)

Pictorial and poetic influences in Benjamin Britten's Seven Sonnets of Michelangelo : a magical journey through associations / by Douglas W. Bolin (1996)

Reflections of a life : biographical perspectives of Virginia Woolf illuminated by the music and drama of Dominick Argento's song cycle, "From the Diary of Virginia Woolf" / by Noelle Woods (1996)

Oley Speaks and the Oley Speaks music library archive : a legacy of the twentieth century American art song / by Stephanie Kay Tingler (1993)

The songs of Franz Liszt / by Michael David Baron (1993)

Kennst du das Land : performance guide to six musical settings of Goethe's poem / by Seonmi Koh (1991)

A survey and analysis of the published French and Irish songs for piano and voice of Sir Arnold Bax / by David Matthew Shockey (1991)

The singing voice : effects of the menstrual cycle / by Cheryl Ann Hoover (1991)

A study of methods used by exemplary college voice teachers in teaching improved vocal resonance / by Cynthia Renee Coleman (1989)

Song composers and their poetry choices : an analysis of the literary background and textual selections of twelve composers / by Thomas Andrew Gregg (1989)

An electromyographic study of preparatory set in singing as influenced by the Alexander technique / by Robert James Engelhart (1989)

Twelve Rachmaninoff songs as transcribed for piano by Earl Wild : an introductory study / by Ching-Jen Wu (1989)

Part I: Representationalism in selected twentieth century compositions about the sea. Part II: sententia, sea music for soprano, woodwinds, brass, and percussion / by Susan Elaine Jenkins (1984)

Improving voice quality in pulmonary-assisted alaryngeal speakers through the application of singing techniques / by Kimberle I. Moon (1984)

A performer's commentary on "To be Sung Upon the Water" by Dominick Argento / by Trucilla Marie Sabatino (1980)

The early songs of Sergei Prokofiev and their relation to the synthesis of the arts in Russia, 1890-1922 / by Robert Kenneth Evans (1971)

Discovering the nature of Robert Schumann's "Frauenliebe und Leben" / Helen Josephine Turner (1963)

A conductor's guide to Dan Locklair's since dawn : a tone poem for narrator, chorus and orchestra / by Matthew Neal Russell (2013)

A study of the original composition "Land of our birth" : composition for male chorus, brass, percussion, woodwinds and piano / by Michael George Martin (2013)

Pitch performance : a rational approach to the acquisition of intonation skills / by Benjamin R. Coy (2012)

Robert Schumann's part-songs for men's chorus and a detailed analysis of Fünf Gesänge (Jagdlieder), opus 137 / by Timothy David Sarsany (2010)

Vocal preparation for the high school male : preparing the high school male soloist for contest/audition - a choral director's guide / by Todd Edward Ranney (2009)

Gwyneth Walker : an annotated bio-bibliography of selected works for mixed chorus / by Richard L. Schnipke (2008)

Process and product : the sight-singing backgrounds and behaviors of first-year undergraduate students / by Victoria J. Furby (2008)

Selected baroque compositions with instrumental accompaniment for amateur choir / by Linda Cressman Busarow (2007)

Four motets from the Florilegium portense / by Mark A. Chaney (2007)

The messa di voce and its effectiveness as a training exercise for the young singer / by Diane M. Pulte (2005)

​A choral organizational structure for the developing male singer / by Bevan T. Keating (2004)

​An historical perspective of international champion quartets of the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America, 1939-1963 / by Benjamin Charles Ayling (2000)

Felix Mendelssohn-Bartholdy's music for men's voices including a detailed analysis of Festgesang: An die Künstler, opus 68 and Zwei Geistliche Manner / by Joseph H. Janisch (1998)

Symbolism and textual painting in four vocal works by George Crumb / by Douglas Bell Reeder (1997)

The effect of phonetic instruction on performance of liturgical Latin diction for middle school mixed choirs / by Yu-Wen Pan (1997). Authorization/login required.

Talking within music : an ethnographic study of choral instruction, verbal interactions and the resulting ensemble sounds within a high school choral rehearsal / by Mark Edward Rohwer (1997). Authorization/login required.

The stylistic placement of War Requiem in Benjamin Britten's oeuvre / by Nikola Dale Strader (1996)

Job satisfaction among high school choral music teachers in the state of Ohio / by Frank Kalani Poncé (1994). Authorization/login required.

Memories of Early Childhood: a composition for mixed choir with organ accompaniment / by Linda Hofstetter Nolan (1991). Authorization/login required.

An experimental study of a speech cue rhythmic subdivision design in the remediation of rhythmic performance skills of junior high school mixed choirs / by Richard L. Mallonee (1991)

A perceptual study of vocal registers in the singing voices of children / by Pamela Sewell Wurgler (1990)

Acoustical placement of voices in choral formations / by Robert Dale Tocheff (1990)

Welsh choral music in America in the nineteenth century / by Linda Louise Pohly (1989). Authorization/login required.

Requiem mass for chorus and orchestra ; with a monograph on the history, regulation, and content of the Missa pro defunctis / by Marshall Paul Onofrio (1987). Authorization/login required.

Evaluation of procedures to develop selected choral rehearsal skills with undergraduate choral methods students / by Robert Allen Petty (1987)

A descriptive analysis of the rehearsal behaviors of selected exemplary junior high and middle school choir directors / by Pamela Dayle Hopton Fiocca (1986)

The seven last words / by Dorothy Elder Stewart (1985). Authorization/login required.

The Dies Irae as used by Sergei Rachmaninoff : some sources, antecedents, and applications / by Susan Jeanne Woodard (1984)

Vocal pedagogy in the choral rehearsal : the influence of selected concepts on choral tone quality, student understanding of the singing process, and student attitudes toward choir participation / by Lynn Ann Corbin (1982)

"Song of a man and a nation's experience": a Cantata based on poetry by Walt Whitman / by Douglas Paul Starr (1978). Authorization/login required.

Problems of composing choral music for high school use / by Harrison Leslie Adams (1973)

A study of difference tones as related to choral singing / by Maurice Andrew Worland (1948)

Registration strategies of professional operatic mezzo-sopranos / by Katherine Celine Osborne (2015)

The crossover opera singer : bridging the gap between opera and musical theater / by Keyona Willis-Lynam (2015)

The study of 'Alice in Wonderland' of Unsuk Chin / by Eun Seok Park (2014)

Puccini's creation of the role of Liù in his opera Turandot : a soprano's preparation of the role and a historical perspective / by Sanghee Kim (2001).

Operatic reform in Turin : aspects of production and stylistic change in the 1760s / by Margaret Ruth Butler (2000). 

Fusion of musical styles and cultures in Bright Sheng's opera "The Song of Majnun" / by Chiung-Tan Hsu (1999)

Musical and dramatic structure in the finales of the operas of Giacomo Puccini / by Micheal F. Anders (1997)

An Anthology of Nineteenth-Century Russian Arias for Tenor: A Guide to Performance / by Larry Wayne Fralick, Jr. (1995). 

Opera workshop for the undergraduate: more than aria coaching / by Christine Anne Janis (1994). 

Marc Blitzstein's Regina : a pivotal work in American musical theatre / by Anne Bill Foradori (1994)

Factors influencing performance standards for professional opera singers from 1600 to the present time / by David Michael Rives (1993)

American operas on American themes by American composers : a survey of characteristics and influences / by Penelope Ann Speedie (1991). 

​Meyerbeer's Le prophète : a history of its composition and early performances / by Alan Armstrong (1990). 

The piano in Alban Berg's opera, Lulu / by Mary Jane Fahrenbruck (1990)

A comparative study of "Le Barbier de Séville", the original play, and the two operas "Il Barbiere di Siviglia" by Giovanni Paisiello and Giochino Rossini / by Ricky Ricardo Little (1985). 

The rise and fall of the city of Mahagonny : an interpretive staging as applied to University Opera Theater productions / by David Neil Stoffel (1983). 

The hope of reconciliation : a stylistic characteristic of Sir Michael Tippett culminating in "The Ice Break" / by Beverly Jean Vaughn (1982).

Franz Liszt and his Verdi opera transcriptions / by Peter Paul Dorgan (1982)

Descriptive analysis of three one-act operas by Seymour Barab / by Heather Joy Parr (1982)

The dramatic function of poetic and musical forms in a Savoy opera prototype / by Jaropolk Lassowsky (1981)

A study of vocal demands in selected early German romantic operas / by Mary Gilley Schiller (1979).

Douglas Moore's The Ballad of Baby Doe : an investigation of its historical accuracy and the feasibility of a historical production in the Tabor Opera House / by Randie Lee Blooding (1979)

A study of the composition and performance of Scott Joplin's opera Treemonisha / by Rubye Nell Hebert (1976)